Monica McCormick – Production Assistant

Monica McCormick – Production Assistant

Monica McCormick is a Public Communication and Culture Studies student at the University of Michigan, Dearborn and the Vice President of PRSSA-IABC for 2014-15. She is interning for the Contemporary Art Institute of Detroit (CAID), currently doing PR for the play, Walk Tall.  She has had a great time interviewing the actors and learning about the art of theatre.  Monica is the Communication Director of the South East Michigan Butterfly Association (SEMBA) currently working on their social media strategy. After this production, she has received an internship position with the City of Detroit Mayor’s Office in the Communication Department.

Andy Gaitens in First Lead Role as Local Legend Father Meyer

by Monica McCormick

Jimeyer and Aaron Thomas Timlin at Hutzel Hospital, circa 1970s.

Andy Gaitens playing Father Jim Meyer had the opportunity to meet his character. It was an experience not only getting to know his role, but learn more about the major theme of the play – changing the structure of an institution.

“It was a really cool resource you don’t always get to have. One of the fascinating things about him is he’s a priest so he’s fatherly, but he’s also a lawyer – almost opposite personalities so he’s this fun in-between guy.”

Gaitens described Fr. Meyer as a funny, energetic, smart guy who is a wonderful story teller. He loves listening to music, working with kids, and appreciates people and life in general. Fr. Meyer takes advantage of life and goes beyond the limits, using his talents to better the community.

“It’s really an honor to play him. I can trick myself into thinking I’m a great guy too,” Gaitens joked. As a 2013 Wayne State University graduate, this is Gaitens’ third professional play and first lead character role. He has always enjoyed reading plays, participated in them during high school, which led him to get a Bachelor of Arts in Acting.

In Gaitens’ professional early career, his roles have gradually progressed. In his first professional play, he was a supporting character, but opened the show. In the second, he played a middle link though heavy supporting character. Now, in Walk Tall, he has the most lines playing the lead character of Father Meyer, which he described as rather intimidating.  “I’m really excited to get to tell a story of an important figure which has kind of been in the shadows. I get to learn about this guy who took the initiative to make our community better and I hope he likes it,” Gaitens said, being a Detroit resident.  He went on to describe Fr. Meyer as a local legend in Detroit. Walk Tall is a play telling the untold story of someone who’s worked hard in the community. It’s one of community involvement, where it’s become harder to be involved now.

Jimeyer, circa 1960s

Jimeyer, circa 1960s

 “Stories from the past are easier to talk about, but the problems are ones that still exist today. It brings those problems to the present, but shows them in the past as an allegory. The play is an allegory for what we have going on right now.”  Gaitens admitted he is a comic book collector, having over 100 consecutive issues of Spider Man and watched more cartoons than live action. Fitting for the role, he’s that ‘fun in-between guy’ he described Fr. Meyer as.

Make The Most Out Of It with Anton Bassey

by Monica McCormick

Anton Bassey as Dick Gregory

For the first hour of rehearsal Anton Bassey was coaching DeVaughn Cone, 14 year old student at Harper Woods High School, playing Brent White in Walk Tall. He had him swing a baseball bat at every pause and end of a sentence to make sure he stopped. Then he would fluctuate his voice on whether the phrase was negative or positive.

“It’s something I like to do, especially with kids, getting them to understand acting. It’s awesome when they start to bring those things to life,” he said, talking about coaching.

Anton first began acting at Wayne State University, but it was something he said he was always interested in. Since the age of seven, Anton was writing stories. He was always very extroverted.

“I watched Teen Wolf, the original, and was like I wanna do that.”

It wasn’t until Wayne State that he figured out what he wanted to do.

“What would I enjoy and have the most fun doing?” he asked himself as a freshman.

Now a Theatre alumni, Anton also graduated from The Liverpool Institute For Performing Arts in England for his Master’s.

Anton plays Joe the Janitor in Walk Tall, who is more of an observing fly on the wall character until the end when he comes into contact with Father Meyer. He also plays a minister who works with Father Meyer to bring awareness to the segregated housing in Pontiac.

His lead role is the character of Dick Gregory, civil rights activist.

“I highly respect Dick Gregory for what he did for civil rights. He started off as a standup comedian and then caught flack for being in the civil rights. To me, I think he chose the better path. Do you take fame or do you do what’s right and what’s in your heart?”

Anton said Gregory reminded him of himself. His personality was mellow, cool, calm, and collected.

“It was easy to become [Gregory]. I probably would have been right there on the front line with him.”

Anton compares Walk Tall to the movie Training Day. In the film, Detective Alonzo Harris is a veteran LAPD narcotics officer, blurring the lines between right and wrong, who trains the rookie cops. The character Jake Hoyte is the rookie that refuses to be a “bad cop” and stands up to his environment.

“What happens when someone says no? What happens when someone goes against the grain? What is it like for the guy to turn against his own kind? It’s about change,” referring to his character Dick Gregory.

This play is about creating dialogue, something that happens first before change can happen, Anton elaborated. Walk Tall is to help the younger generation understand this time period in relation to inequalities that are happening to this day.

“People forget what they don’t understand. We are all a part of this change and have the responsibility to do something. – The arts reflect human life, that’s a huge catalyst for change. It gives the audience and opportunity to see themselves in a light sometimes not so great.”

Andy Gaitens as Fr. Meyer and Anton Bassey as Dick Gregory

Andy Gaitens as Fr. Meyer and Anton Bassey as Dick Gregory

Anton concludes that performing arts will be responsible for Detroit’s revitalization.

“People have finally realized that they have to create their own opportunities, they are no longer given.”

Check out more on Anton at his website Antonbassey.com. He is a screenwriter and director and active in theatre, film, and television. Every spring and fall he puts out a batch of sketches that are 2-3 different series. This upcoming one is called “Leftovers”. After that, he is going to direct and produce his first indie film called “Smells Like Peace In Here” about two best friends creating epic times in a time period similar to the recent recession in the U.S.

“The one thing that I like most about [the film] is they are your everyday average working Joe, doing the best they can to survive. They graduated college, but are stuck in a bad economy and career stage, having multiple jobs. But they make the most out of it.”

To see Anton Bassey in Walk Tall, purchase tickets at:  http://walktallwalktall.brownpapertickets.com/

Dan Finn as Zolton Ferency and McCarthy Delegate

Dan Finn as Zolton Ferency and McCarthy Delegate

Dan Finn is a current junior BFA theater major at Wayne State University’s Maggie Allesee Department of Theatre and Dance. Dan has been living in Detroit for three years and has been very active amongst the community. In June, 2013, Dan studied at the Moscow Art Theater School-Studio in Moscow, Russia.  After this production close, he will be traveling to Tuscany, Italy to train further in physical theater and follow that with a backpacking trip throughout Europe.

Thomas Bell – Sound Engineer

Thomas Bell – Sound Engineer

Thomas Bell is a sonic and multimedia artist, with practices in performance and collaboration with an emphasis on community and social development in the arts. Integrating mediums across artistic platforms is a primary focus of his work. Thomas studied Jazz Performance at Berklee College of Music in Boston and Ethnomusicology at Florida State University, and was one of the founding organizers for Bushwick Open Studios in Brooklyn, now one of the largest open studios events in the United States.

Mr. Bell served as the Managing Director of the Center For Performance Research, a state of the art nonprofit performance facility in Brooklyn, NY from 2010 to 2012 before relocating to Detroit where he currently serves on the Boards of Contemporary Art Institute of Detroit and Detroit Contemporary. Thomas is also the Program Coordinator for the Clark Park Coalition and Marketing Director for Living Arts in southwest Detroit.

Thomas founded and currently serves as Co-Director of Spread Art, an artist-run creative incubator designed to foster new works through residencies and collaborations with artists, curators, and organizations from around the world.  After four years in Brooklyn, NY, Spread Art relocated to Detroit in January 2012. Thomas’ visual artwork is in numerous private collections throughout the United States, South America and Europe and he continues to perform sonically throughout the world whenever the opportunity arises.

Indigo Colbert calls it ‘edutainment’

by Monica McCormick

Indigo Colbert as Mrs. Johnson, the Bondswoman.

Indigo Colbert as Mrs. Johnson, the Bondswoman.

DETROIT – Indigo Colbert was 11 when she “got bit by the acting bug” in an improvisation class at Detroit’s University Preparatory Academy. She recalled her first time getting in front of the class, “It just felt good, like…ooh I like this!”

Colbert is a Theatre student at Wayne State University. She is in her first professional play, Walk Tall, a historical drama and true story of Rev. Jim Meyer’s trial and first Due Process suit in the Roman Catholic Church.

“This play reminds you and also inspires you to keep the faith and no matter what obstacles you encounter you know what’s right, you know what’s honorable, and it will pay off.”

Colbert chooses her work on whether it will make a difference, educate, as well as entertain – something she calls “edutainment”.

“I am a history buff, I absolutely love history, and to add theatre to history… that’s like heaven to me.”

Theatre has always been her first love, but as she’s grown and experienced the field she has learned the importance of being multifaceted. The industry’s competitive nature doesn’t allow for missed opportunities. Whatever is next, she will be ready. Colbert is an actor, dancer, and now singing for the first time in Walk Tall. An artist brings all these disciplines together for one goal.

“The main thing for me is about telling the story whether I’m dancing, acting, or singing, I have to tell the story.”

Colbert sat quietly collecting her thoughts. An introvert is not the typical actress personality, but her expression is saved for the stage.

“Theatre is how I express myself, it’s my therapy. That’s home for me when I’m on stage.”

Performing is not only her personal therapy, but the audience’s therapy too.

“Even though you’re playing this person and you have to pretend that these imaginary circumstances are happening to you, you have to make them come to life and make it real and convincing. And by doing that, you can be changing someone’s life, touching someone’s soul, or changing someone’s mind. Art has the power to do that stuff. You can’t have art without real life.”

Colbert plays two characters in Walk Tall – Mrs. Thompson and Mrs. Johnson. Mrs. Thompson is an upper-class black woman who migrated from the south and doesn’t want anyone to ruin her American Dream. Mrs. Johnson is a middle aged black woman who lives in Pontiac and works as a bondswoman. She uses that position to make sure justice is served and equality is carried out.

“[Mrs. Johnson] has some of the same values as I do. She supports people who fight against social injustice. She has a soft spot for the youth. I do too, especially the youth in the city of Detroit.”

Colbert emphasized the role of telling the story and making the character come alive. This is true for all aspects of performing arts, especially dance. She studied Congolese dance from central Africa when she was 18. She explained how theatre comes in because you can’t speak, but you still have to emote and project and put meaning behind the steps.

“You can do the moves, but if there’s nothing in your face or in your eyes then what’s your purpose? You have to use the music, ride the music, become one with the music, get inside it and get inside the notes.”

A jazzhead herself, her mother turned her onto it when she very young. Performing is not her only form of therapy, but music is too.

“Bad day or not, I get music I love, play it as loud as my family can tolerate and lay by the speakers and jam out.”

Colbert is very excited to be in Walk Tall and says she blessed with having this opportunity.

“Sometimes you live in a bubble and forget what’s happening in the world outside. Plays like this help bring you back to reality and show you that these things are still happening. You need to be aware of that so it doesn’t continue to happen. And that’s what artists are supposed to do.”

Alexander H. Trice – Production Manager

Alexander H. Trice – Production Manager

Trice is an Actor, Writer, Designer, Stage Manager and Properties Guru originally from Oxfordshire, England. He moved to the Detroit area almost twelve years ago, and since been lucky enough to work for such institutions as WaterWorks Theatre, The D.I.A., Cranbrook Theatre School, < 3 ‘Less-Than-Three’ Productions, Planet-Ant, Madonna University, and the late art4artillery Theatre Co., among others. This season at The Ringwald Theatre in Ferndale, Trice designed the set for Angels In America, Part 1: Millennium Approaches, as well as working on the sets and props for Reasons To Be Pretty, The Submission (which he also Stage Managed), Into The Woods, Evil Dead: The Musical and The Motherf**ker With The Hat. At the Detroit Opera House, Trice is currently appearing in Puccini’s Turandot, and has recently appeared in Michigan Opera Theatre’s productions of I Pagliacci, Aida, La Traviata, Fidelio, Giulio Cesare in Egitto, and The Pearl Fishers. With Detroit Broadcasting, Trice served as Properties Master and Stage Manager for both Lambert Street productions, as well as Stage Managing (through Box-Fest 2012) the infamous This Is The Play. Trice recently played Antonio & The Captain in Slipstream Theatre Initiative’s all-male, abridged, Twelfth Night; Or What You Will at Michigan Actors Studio – which he also scenic designed.